Жанры в художественном творчестве

The article deals with the ideas about romantic love in the song genre. The research is based Spanish-language texts of Julio Iglesias’ songs. It is established that romantic love is a rather vague concept that allows at least four interpretations: love-passion, intensity of love in general, falling in love and a specific love feeling that has its own characteristics.

The concern of this study is to explore the values of power that form its images in Anglo-Saxon epic culture of the early Middle Ages. The research is based on the epic poem “Beowulf” and applies cultural approach to linguistic study of social phenomena.

The present article deals with the subgenre ‘address’ in the speech behavior of members of the Soviet intelligentsia. The research is based on 9 Soviet plays of V. Azernikov, S. Aleshin, A. Arbuzov, L. Zorin, S. Mikhalkov, M. Roshchin. The character’s education, profession, the author’s description, the actual speech portrait of the character (lexical, stylistic, communicative content), moral qualities of the character were important criteria for definition of a member of intelligentsia.

The article justifies that A. I. Solzhenitsyn expands the potential of the memoir genre by synthesizing techniques of different genres and creating new ways of displaying History. The growing interest in the memoirs of the 20th century, in particular in Solzhenitsyn’s memoirs, in recent decades makes the research topical. Solzhenitsyn considers the truth of history as a priority, and the completeness of the material and polyphony of its presentation as necessary requirements. The research aims at presenting the originality of Solzhenitsyn’s memoirs.

Publicistics in all variety of its genres is traditionally perceived as a shaky boundary between the fictional imaginative interaction and interaction lit by the worldly life experience of the author / narrator and equipped by factual authenticity. In this connection it seems worthwhile to introduce into genre studies most meaningful fictional and publicistic publications of different (including really distant from us) cultural-historical periods, where one can find abundant data which will help us understand poetics of human interaction.

The article presents the analysis of the chains of speech genres in A. P. Chekhov’s short story “Enemies”. It is argued that the speech genres which formalize the social relationships of the main characters of the story lead to an understanding of the concept of the work, as well as reveal the essence of the title of the story. It is noted that the verbal interaction of the main characters of the narrative is a system of interconnected speech genres.

Philosophical dialogue as a genre generated by ancient culture has become an integral part of F. M. Dostoevsky’s novels. There it acquired a distinctly religious character. In this sense, the theory of M. M. Bakhtin about polyphonic dialogue in Dostoevsky’s novels does not allow to fully explain its (dialogue’s) mystical-religious content, and even more so the hidden author’s modality – Christian assessment (“pointing finger, passionately raised”). Moreover, the question of faith in the polyphonic dialogue is not raised at all.

The article includes an analytical review of different conceptual approaches and interpretations of I. A. Bunin’s novelette “Light breathing”, which have emerged during the decades after the publication of L. S. Vygotsky’s article on Bunin’s “Light breathing”.

The article studies speech behavior of the class of Soviet intelligentsia in communicative situations of flirting. The research is based on Soviet comedy plays of the 1960s–1970s: “Dobryaki”, “Entsiklopedisty”, “Tranzit”, “Pokrovskie vorota”, “Teatral’naya fantaziya” by Leonid Zorin and “Vozmozhny varianty” by Valentin Azernikov. The relevance of the topic is related to the increased interest ofmodern linguistics in the verbal means typical of romantic discourse in general and of the genre of flirting in particular.