речевой жанр

This review was written in response to the publication of a collection of research articles dedicated to Tatiana V. Shmelyova’s anniversary. Therefore, all articles included in the collection “Increment of Meaning” are related to one of the leading Russian studies researchers of our time, her scientific interests and studies, among which are syntax, philology, speech genres, onomastics, media linguistics, history of science, and key words of the present moment.

The article presents the analysis of evaluation in the speech genre “Internet comment” and focuses on the ways and means of its expression. The research is based on the comments on Instagram (organization banned on the territory of the Russian Federation) posts about sports, namely figure skating. The authors of the article define two relevant factors determining axiological characteristics of the Internet comment: anonymity of Internet communication and the desire of many users to stand out from other commentators.

The article carries out a comparative genre analysis of popular science articles about animals in the Soviet press of the 20th century, and in the Runet of the 21st century. The research is based on a model that includes the following items: animal; author and addressee; society (community of readers of the article about animals) and the state of literature; language.

The article studies speech behavior of the class of Soviet intelligentsia in communicative situations of flirting. The research is based on Soviet comedy plays of the 1960s–1970s: “Dobryaki”, “Entsiklopedisty”, “Tranzit”, “Pokrovskie vorota”, “Teatral’naya fantaziya” by Leonid Zorin and “Vozmozhny varianty” by Valentin Azernikov. The relevance of the topic is related to the increased interest ofmodern linguistics in the verbal means typical of romantic discourse in general and of the genre of flirting in particular.

The article views a speech genre shaming understood as a person’s public censure or criticism leading to cultivating in them a feeling of shame or guilt, which contributes to their loss of reputation and respect in an online community. The author also clarifies the designation and underlying intentions which give an opportunity to delimit shaming from other Internet genres of aggressive nature (such as flame, trolling, holy war, hating, cyberbullying / sybermobbing, cyberstalking, and griefing) and to give its exact definition.

In the article, the authors refer to the history of the study of preventive statements, where the semantics of the notice and warning are not distinguished. The genre approach allowed the authors to qualify the warning and the notice as a diffuse zone in the system of speech genres, and the warning is considered as a poly-intentional speech genre and it is proposed to distinguish between two variants of the genre based on the identification of the leading intention.

The article views the specific communicative situation “frank confession” in institutional (legal) and personality-oriented (everyday) discourses. The author attempts to determine its genre affiliation in the discourses.

The article deals with the thrash talk as a speech genre. The term, which came to modern Russian from English, refers to a speech practice in which offensive statements are formulated against the opponent, designed to disturb the opponent’s psychological equanimity. It can be a form of bragging or insulting in competitive situations. The research was conducted in the context of Russian and foreign works on invective practice in Russian linguoculture, which not only represent a constant, but evolve as well.