speech genre

The article proves the introduction of genre category concept into the speech genres analysis which helps to describe the linguistic definiteness of the genres. Genre categories are distinguished not on grammatical, but on an extralinguistic, intentional basis. Three types of categories – dialogism, illocution, and referentiality are offered for description of speech genres. Each category has its field the of different language units, composition methods, and nonverbal means.

The article is devoted to one of the most important and obvious aspects of speech genres – relation of speech genres and evaluation. This issue is im-portant not only for the theory of speech genres, but also for linguistics in general, although it is far from being solved. We discuss the key concept of this problem – “form of evaluation” – a kind of genre norms that determine, on the one hand, the pragmatic, stylistic, linguistic modeling of evaluative actions, on the other – the differences between adjacent evaluative genres.

The oath in child's speech becomes a secondary character. The basis of the article conprices set expressions, functioning in an informal communication. Most of them appeared in the Soviet period, due to the specific role of ritual in the USSR and the characteristics of the Soviet system of the speech genres. The most significant differences between children's oath are: its formal organization (a narrower repertoire of specific components acting as a guarantee in the case of their verbalization, the possibility of rhyme, stability).

The article highlights and analyzes the new structural types of modern Internet anecdotes, which are significant for an anecdote as a speech genre. The systematization of these types is relevant for the theory of speech genres and the typology of Internet communication: see the growing popularity of this genre and a large number of linguistic, folklore, culturological, etc. studies on the genre of anecdote.

This article suggests a comprehensive analysis of the complex speech genres as a way to study the variability of their model and as an instrument of developing the general classification of complex speech genres.

The article gives a description of Russian idioms, including in their composition the nominations of speech genres. the degree of being in demand for certain genres in the formation of Russian idiomatics has been revealed, as well as the degree of structuredness of such names.

The article discusses the product of the blog hypergenre’s transformation in modern instant messaging applications as a further development of blogosphere discourse genres using the example of Telegram service. The novelty of blog channels in Russian and international Internet space and their growing popularity determine the relevance of the research.

The study is devoted to revealing of features conversational particle in some speech genres, which the reflected A. T. Tvardovsky in the poetic text space. Simple modal particles “yourself”, “you” are similar to identical in form with pronouns, their part-of-speech identity is determined by context. Contextual classified as particle-pronoun “me,” they are conversational. Identified functions that are implemented conversational particles and particle-pronoun in the monologue and dialogue of the characters, as well as in the speech of the author.

The article is devoted to professionally oriented teaching of the Russian language. Particular attention is given to dialogue as the main speech genre for students of a medical universities. The dialogue helps the doctor conducts an anamnesis, or a patient interview for the diagnosis. Anamnesis collection is a professional dialogue-inquiry. There are three styles of speech: oral colloquial speech, oral business and oral scientific speech. This is specificity and complexity during the study.

The article examines the language situation in modern church and religious discourse and the specifics of religious style genres in contemporary Russian language. It also raises some of the key problems of Russian philology on the nature of diglossia, its origins, as well as specifics of Slavic and Russian diglossia in the Russian linguistic culture during its various historic periods, and place and role of Church Slavonic throughout the history of Russian language.