genre

The article studies dialogization of media monologue messages aimed at intensifying the interiorization of new information into the addressee’s picture of the world by stimulating a dialogue with the audience. There have been singled out two levels of dialogization–discourse and genre.

The article verifies the hypothesis that Leo Tolstoy’s diary has the form of a hidden dialogue of the writer with various subjects: with himself, with third parties, with God. Dialogue is understood as a form of individual development. The article determines that Leo Tolstoy’s diary represents a program of self-improvement, which is achieved through goal-setting and self-assessment. In the traditional perception of the diary genre, entries are interpreted as a form of autocommunication, carried out for the purpose of self-identification of the individual.

The article observes stylistic features and genre representations of religious vocabulary in contemporary Russian language. The study of the development of terminological systems in certain areas of knowledge and their role in the development of a language is one of the most important problems in modern linguistics. The solution to this problem is to study the great variety of sources of spiritual, academic, business, journalistic and other areas of human activity. Religious vocabulary is the richest layer of the Russian language.

The article develops an algorithm of philological evaluation of a poetic idiolect, determines the components of the language competence of its carrier; on this basis presents the speech portrait of O. Mandelstam in the context of modern Russian poetry.

The article raises the problem of the metadisciplinary interpretation of the term “genre”, which can be equally well defined as a nomadic concept or as an artistic universal. The author focuses on the question of the configuration of features defining the concept of genre in philology, art history, and musicology.

The historical origins of cento and its correlation with adjacent phenomenonа are examined. The code of rules of production of cento as a compilative genre is arranged. The conditions of its success are analysed. The question of the relationship of cento to verse and prosaic forms of speech is scrutinized.

The article deals with the problem of the genre, which is studied in the theoretical-critical and historicalliterary aspects. The results of the comparative typological analysis of texts containing judgments about the future of literature give ground to talk about the literary forecast as an independent genre and thus update the existing classifications. The genre carriers are the topic, problems, tasks of the critic, as well as the structure of the text, the image of the literature.

The aim of the article is to characterize the basic assumptions and developments of current research within linguistic genology of usual texts. It's about phrases for specific practical purposes. Their genological presentation covers the most important concepts in the subdiscipline, which can also be referred to as linguistic genology. The article is a discussion about the Polish research on genres of phrases, including the foundations for this theory made by Bakhtin.

This article focuses on linguistic-culural concepts of communicative behavior in Russin and English discourses and highlights their varieties: concepts-events and attributive regulative concepts. The former are modeled as a dynamic frame – scenario of a specific situation and correspond to a speech genre / speech act. The latter, attributive concepts of communicative behavior, characterize situation as a whole. they correspond to the quality slot in a concept-event frame and are verbalized by discourse strategies or tactics.

The paper focuses on the commercial genre «letter in the pack», specifically on the discursive construction of the addresser and the addressee. Methodologically, the author draws on speech genre theory and social constructionism to demonstrate how the categorized and typified personal experience of the addresser is transmitted onto the addressee and how this results in the construction of the axiologically charged system «addresser – addressee».