genre

The phenomenon of «repentance» has been analyzed from the perspective of various sciences: communicative linguistics, linguocognitology, genristics, theolinguistics. Repentance is a genuine recognition of the fault, error, sin, regret at the offense. This understanding is related to a domestic repentance – a strong emotional experience, which is correlated with a sense of shame for him/herself and his/her actions (a secular approach to this phenomenon). In the spotlight is the intersection of the repentance concept with the repentance genre and dialogue.

This article is devoted to the description of genre system of religious style. The basis of the proposed classification of genres advanced by the author is the constructive principle of pretextuality reflecting such extralinguistic factors forming the style as religious consciousness and religious activities. The principle of pretextuality ensures succession preservation of religious concepts. The prototext in Christianity is the Gospel, which contains the genre samples, canonized invariant genre models which are offered to call protogenres.

The article is devoted to the genre qualifications of oral professional dialogue, which is a little-known variety of informal verbal interaction among specialists. It is argued that professional communication, as opposed to other kinds of communication, is included in the context of professional activity, which is characterized by purposefulness, effectiveness and public significance.

The paper explores the online petition as a genre in feminist discourse. The author aims at revealing how the meanings are constructed that characterise modern feminist discourse as well as how structural and textual features are related to the social charge of the genre. The data contain 18 online petitions written in different countries, whose authors set the task to change the position and living conditions of women.

The present study is devoted to the problem of discursive construction of judicial power in Russian print media. The purpose of the article is to distinguish the dominating genres through which the work of the institution is revealed. The author indicates that some genres are characterized by typical representations of the judiciary. The article analyses the use of informational, analytical and publicist genre groups. The researcher reveals characteristic features in the use of genres chosen by papers supporting opposite ideologies.

The article deals with value-marked personal narratives about funny incidents as a genre of comic discourse. In contrast with other genres of comic discourse these narratives are presented as event messages that have happened with the narrator or with people known to him. The comical essence of such stories consists in a combination of incompatible positions, the first one shows an event as a real, matter-offact habitual state of affairs, whereas the second one describes it as a fantastic, pathetical or stereotyped reality.

The article is devoted to the consideration of the genre “Collected Works”, namely the works of political leaders of the Soviet Union. The object of the study is the collected works of Leonid Brezhnev “Lenin’s course”, published in 9 volumes from 1973 to 1983. Formulated The hypothesis is formulated: the “Collected Works” is a typological variety of the literary metatexts, i.e. the ensemble or composite of several text structures. It is a generic cyclization form of substantive and constitutive characteristics.

The M. M. Bakhtin’s work on speech genres is wellknown. However this problem was examined by other outstanding Russian scholar A. A. Reformatskiy in his book «Technical editing of a book. Theory and method of work» published in 1933 (Bakhtin’s work was written twenty years later). Unlike Bakhtin Reformatskiy studied only a part of genres – genres of books – but his classification was more detailed and fixed main features of different genres depending on the aims of their publication.

The article is devoted to the search for the answer to the question what the cognitive approach to the genre means. The author believes that the goal of the cognitive studies of the genre is to build its mental model, reflecting its representation in the minds of the reader and writer.

The author examines the conceptual idea of the development of Russia in 2016, reflected in the genre of analytical review in online publications of various (progovernment and opposition) socio-political, ideological orientation, and represented through metaphors formed within the framework of the anthropomorphic conceptual macromodel. The paper identifies the most actual models and their variants of anthropomorphic transfers in the media under investigation.