жанр

The article presents the systematization of genres of digital discourse of the executive power of the Russian Federation.

The aim of the study is to understand the locus amoenus in the poetry of the High Biedermeier era using the material of the German poetess A. Droste-Hulshoff. Locus amoenus is a sentimental corner in a park or a landscaped area of forest, or a home locus (home, “poetic hut”, house in the wilderness). The studied locus is a beautiful, peaceful time-space which consists of elements typical of the locus amoenus, capturing ancient (love encounters) and sentimental elements, as well as responding to romantic ones (place of creativity).

The article examines the genre composition of publications that form the city’s image, presented in official and unofficial social media. Based on the component structure analysis of the city image and the Internet media space, we propose our own typology of social media that implements image-building functions and tasks.

The article deals with the genre and technique of parallel in feuilleton criticism of the early 20th century. The introduction examines theoretical works on various aspects of the analyzed phenomenon and formulates the task of the research – to expand theoretical ideas about the parallel genre, as well as to identify its additional characteristics and features.

The article presents the analysis of the texts of personal memorial plaques placed in the administrative centers of the Volga Federal District of the Russian Federation.The relevance of the paper is determined by the increased attention of society to the problems of historical memory, the widespread use of memorial plaques as an important means of commemoration, as well as a small number of linguistic studies of these memorial signs.

The article deals with peculiarities of evaluating Internet news comments. The author raises the questions of the object of evaluation, methods of its expression and innovations of the modal-temporal perspective for the genre nature of comments. To answer these questions, the author analyzed comments on the short media stories that received an active reader response. The methodology is based on the understanding of a media text as a multi-textured organization and the correlation of the content of a media story and comments on it.

The author analyzes the text of M. Yu. Lermontov’s “Blue mountains of Caucasus, greetings to you!”, which is significant for Russian culture. The study shows that, by its genre, this text is an encomium – a eulogy in honor of a deity or hero, originally in a verse form. The genre of the text determines its eloquent form, in particular periodic and foot rhythmization, which bring this miniature closer to the sound of the verse. Foot rhythmization gives the text the form of rhythmic prose; the interpretation of this text as a “poem in prose” (e. g.: V.

The article examines the correlation between the media format in social media (for example, messages on a social network or instant messenger) and the genre as a typical communicative practice of using this format for certain pragmatic tasks. The theoretical ideas of the article are illustrated by the results of observation of social media messages collected using big data technology to study the image of the city of Arkhangelsk.