речевые жанры

The review of the international conference «Speech Genres and “Speech Genres”», dedicated to the 100th anniversary of humanities education in Saratov State University and the 20th anniversary of the international scientific journal “Speech Genres” (Saratov State University, 27–29 November 2017). The conference was attended by researchers from Saratov, Veliky Novgorod, Volgograd, Voronezh, Hanover (Germany), Ekaterinburg, Kazan, Krasnoyarsk, Minsk (Belarus), Moscow, Novosibirsk, Omsk, Penza, Perm, Samara, St.

The article regards the problem of speech genre’s revelation in the mind of language speaker. In this respect, it proposes the complex approach to the investigation of speech genres which relies on the use of various sources of material including the data of associative experiment presented in the associative dictionary. The value of associative data is fully discussed in relation with such problems as the acquisition of speech genres by language speaker and their actual range in what they call “the genre competence”.

Russian frankness in a linguocultural aspect has been researched by some Russian linguists, such as E. M. Vereschagin, V. V. Dementyev, etc. A vast list of literature referred to this issue can be found in the dissertation of M. M. Naumova. The article suggests considering frankness as one of the constants of Russian linguoculture through the speech genre of refusal. The above mentioned genre is a large communicative phenomenon. Categorical refusal is a speech genre which requires frankness leading to effective communication.

        The article is devoted to the changes of speech genres and speech genre picture of modernity. The creationistic potentials of speech genres are conceptualized: how genres are involved in the creation of this picture due to their objective nature and potentials, which are considered in the article through the oppositions formed by pairs of opposing, interconnected tendencies: national-specific ? universal. linguistic ? extralinguistic. way from above ? way from below . development of new phenomena on the national (original) basis ? borrowing.

The article is devoted to the study of speech genres, connected with the communication between the doctor and the patient in Pasternak’s novel. In “Doctor Zhivago” as “genre polyform” the dialogue between the doctor and the patient becomes actual as an integral part of the content of the novel, represented by the characteristic paradigms of the doctor and the patient.

The construction analyzed in the article can be used both on the speaker’s initiative and in response to a request. It is characteristic of two speech genres, advice and compliment. The hypothetical substitution of ya (me) with ty (you) (ya by na tvoyom meste/if I were you) and ty (you) with ya (me) (ty by na moyom meste/ if you were me) can trigger conflict, to a greater or lesser extent.

The article deals with such universal anthropological characteristics of speech genres as the reliability and consistency of a communicative event, its targeted interactive potential.

The article summarizes the preliminary results of the interaction of genre studies and linguistics of the last three decades. The significance of genre studies for linguistics is determined by the fact that the speech genres themselves are of exceptional importance for the language – the object of linguistics: not equal to the language completely, speech genres are a phenomenon without which it is impossible to truly comprehend the structure, functioning, and history of the language.

The article touches upon current problems of speech genres functioning on the Internet and fits into the context of modern research in the field of virtual genre studies. The article discusses the speech genre of the movie announcement and describes the means of its language embodiment. The research is focused on the analysis of clich?d constructions and is based on 250 Indian film announcements written in Russian and posted on Indiankino.net.

Active development of the Internet communication and the expansion of technical capaсities caused the transformation of existing genres and determined the emergence of new ones. The article discusses the features of the implementation of the speech genre “memoirs” in the social network Instagram. The hashtag #воспоминание was chosen as the criterion for collecting entries, since, in our opinion, users can use this hashtag to mark the genre of a post. The aim of the work is to establish how genre characteristics of memoirs are reflected in the polycode space.