речевые жанры

The article is devoted to the autograph as a genre of natural writing speech. The object of researcher’s attention is presented by memorable inscriptions (signatures), handwritten by authors on fiction books. Texts-autographs are realized through natural written activity of a person, possess typical features peculiar to genres of natural written speech in general (according to N.B. Lebedeva’s classification). It allows to relate autograph to this particular type of genres. The leading genre-formative parameter of texts-autographs is their manuscript nature.

The purpose of the article is to substantiate the thesis about the implicit typological connection of three fiction-writing modes (drama, epic and lyric poetry) with the basic kinds of communicative strategies (informative, phatic and “autocommunicative”). Epic, lyric poetry and drama are viewed as three substantial modes (or vectors) of verbal and non-verbal statements. The concept of “speech genres” covers a subordinate to it concept of “fiction-writing modes”.

The M. M. Bakhtin’s work on speech genres is wellknown. However this problem was examined by other outstanding Russian scholar A. A. Reformatskiy in his book «Technical editing of a book. Theory and method of work» published in 1933 (Bakhtin’s work was written twenty years later). Unlike Bakhtin Reformatskiy studied only a part of genres – genres of books – but his classification was more detailed and fixed main features of different genres depending on the aims of their publication.

Review of the international conference ”Speech Genres and “Speech Genres””, dedicated to the 100th anniversary of humanities education in Saratov State University and the 20th anniversary of the international scientific journal “Speech Genres” (Saratov State University, 27–29 November 2017). The conference was attended by researchers from Saratov, Veliky Novgorod, Volgograd, Voronezh, Hanover (Germany), Ekaterinburg, Kazan, Krasnoyarsk, Minsk (Belarus), Moscow, Novosibirsk, Omsk, Penza, Perm, Samara, St.

The article deals with the use of metaphors in the context of speech genres of emotional impact on the addressee. The theoretical substantiation of these genres with the description of their features and means of realizing the speaker’s intent are presented, taking into account whether the desired emotional impact is positive or negative.

The review of the international conference «Speech Genres and “Speech Genres”», dedicated to the 100th anniversary of humanities education in Saratov State University and the 20th anniversary of the international scientific journal “Speech Genres” (Saratov State University, 27–29 November 2017). The conference was attended by researchers from Saratov, Veliky Novgorod, Volgograd, Voronezh, Hanover (Germany), Ekaterinburg, Kazan, Krasnoyarsk, Minsk (Belarus), Moscow, Novosibirsk, Omsk, Penza, Perm, Samara, St.

The article regards the problem of speech genre’s revelation in the mind of language speaker. In this respect, it proposes the complex approach to the investigation of speech genres which relies on the use of various sources of material including the data of associative experiment presented in the associative dictionary. The value of associative data is fully discussed in relation with such problems as the acquisition of speech genres by language speaker and their actual range in what they call “the genre competence”.

Russian frankness in a linguocultural aspect has been researched by some Russian linguists, such as E. M. Vereschagin, V. V. Dementyev, etc. A vast list of literature referred to this issue can be found in the dissertation of M. M. Naumova. The article suggests considering frankness as one of the constants of Russian linguoculture through the speech genre of refusal. The above mentioned genre is a large communicative phenomenon. Categorical refusal is a speech genre which requires frankness leading to effective communication.

        The article is devoted to the changes of speech genres and speech genre picture of modernity. The creationistic potentials of speech genres are conceptualized: how genres are involved in the creation of this picture due to their objective nature and potentials, which are considered in the article through the oppositions formed by pairs of opposing, interconnected tendencies: national-specific ? universal. linguistic ? extralinguistic. way from above ? way from below . development of new phenomena on the national (original) basis ? borrowing.

The article is devoted to the study of speech genres, connected with the communication between the doctor and the patient in Pasternak’s novel. In “Doctor Zhivago” as “genre polyform” the dialogue between the doctor and the patient becomes actual as an integral part of the content of the novel, represented by the characteristic paradigms of the doctor and the patient.