International journal

Speech Genres

ISSN 2311-0759 (Online)
ISSN 2311-0740 (Print)


For citation:

Degaltseva A. V. The feuilletons of the “12 Chairs Club”: Satire as the key to Bakhtin’s “co-creation of those who understand”. Speech Genres, 2026, vol. 21, iss. 1 (49), pp. 93-103. DOI: 10.18500/2311-0740-2026-21-1-49-93-103, EDN: XEOPGY

This is an open access article distributed under the terms of Creative Commons Attribution 4.0 International License (CC-BY 4.0).
Full text:
(downloads: 66)
Language: 
Russian
Article type: 
Article
UDC: 
821.161.1-7.09:811.161.1’38’42
EDN: 
XEOPGY

The feuilletons of the “12 Chairs Club”: Satire as the key to Bakhtin’s “co-creation of those who understand”

Autors: 
Degaltseva Anna Vladimirovna, Saratov State University
Abstract: 

Satire is a way of critical comprehention of the reality, allowing a journalist to implicitly express a negative assessment of socially significant phenomena, forming a certain civic position in the audience. One of the satirical genres of speech is the feuilleton. Understanding the content of the feuilleton and the socio-cultural context that gave rise to it, identifying the problem reflected in it and finding ways to solve it make the reader a participant in the process that M. M. Bakhtin called “co-creation of those who understand”. Nowadays, due to the freedom of speech, the feuilleton is not very popular in democratic media, but some Russian literary and journalistic editions still publish it. In the “Literaturnaya Gazeta” the feuilletons are usually placed in the humorous section “The 12 Chairs Club”. They retain the features peculiar to this artistic and journalistic genre of speech: topicality, satirical refraction of reality, typification of images, active use of means of indirect communication, etc. The purpose of this work is to analyze the techniques used by the authors of the feuilletons to influence the addressee and involve him in the process of critical reflection of the reality. The study of the feuilletons published in the “12 Chairs Club” from 2018 to 2024 showed that they absorb and creatively process the features of other genres of speech (short story, fairy tale, conversation, reportage, business plan, etc.). The authors of the feuilletons of the “12 Chairs Club” start their dialogue with the reader, appealing to their background knowledge, worldview, and interpretation skills. The techniques of actualizing the addressee’s critical thinking in the feuilletons of the “12 Chairs Club” are the following: absurdization of reality, the use of subtext and intertext, language play, the choice of the most suitable tropes and figures of speech for solving communicative tasks (irony, hyperbole, grotesque, pun, metaphor, metonymy, parcellation, etc.), parody on stylistic and structural features of other genres. The associative and semantic content of the feuilletons in the “Literaturnaya Gazeta” is expanded by accompanying their texts with the works of cartoonists.

Reference: 
  1. Ainutdinov A. S. The journalistic potential of caricature. In: Materialy Vserossiiskoi nauchno-prakticheskoi konferentsii “Problemy massovoj kommunikatsii”, 12– 13 maya 2008 g. Pod red. V. V. Tulupova [Tulupov V. V., ed. Materials of the All-Russian science and practical conference “Problems of Mass Communication”, May 12–13, 2008]. Voronezh, Faculty of Journalism of VSU Publ., 2008, pp. 3–4 (in Russian).
  2. Bakhtin M. M. Avtor i geroj: k filosofskim osnovam gumanitarnykh nauk [The author and the hero: Towards the philosophical foundations of the Humanities]. Saint Petersburg, Azbuka, 2000. 332 p. (in Russian).
  3. Bakhtin M. M. Estetika slovesnogo tvorchestva. Sost. S. G. Bocharov [Bocharov S. G., comp. Aesthetics of verbal creativity]. Moscow, Isskusstvo, 1979. 423 p. (in Russian).
  4. Bakhtin M. M. Sobranie sochinenij. T. 5. Raboty 1940–1960 gg. Pod red. S. G. Bocharova, L. A. Gogotishvili [Bocharov S. G., Gogotishvili L. A., eds. Collected works. Vol. 5. Works of 1940–1960]. Moscow, Russkie slovari, 1997. 558 p. (in Russian).
  5. Bakhtin M. M. Tvorchestvo Fransua Rable i narodnaya kul’tura srednevekov’ya i Renessansa [The work of Francois Rabelais and the folk culture of the Middle Ages and Renaissance]. Moscow, Khudozhestvennaya literatura, 1965. 542 p. (in Russian).
  6. Baranov A. N. Lingvisticheskaya ekspertiza teksta: teoriya i praktika [Linguistic expertise of the text: Theory and practice]. 2nd ed. Moscow, Flinta, Nauka, 2009. 592 p. (in Russian).
  7. Beletsky A. I. On one of the next tasks of historical and literary science (the study of the reader’s history). In: Izbrannye trudy po teorii literatury. Pod obsch. red. N. K. Gudziya, sost. A. A. Gozenpud [Gudzia N. K., ed., Gozenpud A. A., comp. Selected works on the theory of literature]. Moscow, Prosveshchenie, 1964, pp. 20–41 (in Russian).
  8. Bolotnova N. S. Communicative stylistics: Linguocognitive mechanisms of semantic interpretation of a poetic text. Bulletin of the Tomsk State Pedagogical University, 2021, no. 6 (218), pp. 38–48 (in Russian).
  9. Dementyev V. V. Integral’noe opisanie rechevykh zhanrov [Integral description of speech genres]. Saratov, Saratov State University, 2024. 304 p. (in Russian).
  10. Dementyev V. V. Nepryamaya kommunikatsiya [Indirect communication]. Moscow, Gnozis, 2006. 560 p. (in Russian).
  11. Dementyev V. V. Teoriya rechevykh zhanrov [Theory of speech genres]. Moscow, Znak, 2010. 600 p. (in Russian).
  12. Duskaeva L. R. Dialogicheskaya priroda gazetnkyh rechevykh zhanrov. Pod red. M. N. Kozhinoj [Kozhina M. N., ed. The dialogic nature of newspaper speech genres]. 2nd ed., corr. and add. St. Petersburg, Philological faculty of St. Petersburg State University Publ., 2012. 274 p. (in Russian).
  13. Issers O. S. Kommunikativnye strategii i taktiki russkoj rechi [Communicative strategies and tactics of Russian speech]. 5th ed. Moscow, LKI, 2008. 288 p. (in Russian).
  14. Kaida L. G. Kompozitsionnaya poetika teksta [Compositional poetics of the text]. Moscow, Flinta, Nauka, 2011. 408 p. (in Russian).
  15. Khalikov M. M. Cognitive-operational and speechgenre universalism of the oxymoron. Speech Genres, 2024, vol. 19, no. 3 (43), pp. 237–246 (in Russian). https:// doi.org/10.18500/2311-0740-2024-19-3-43-237-246, EDN: JDTWPN
  16. Khmara P. F., Polyansky E. I. Comrade Zyuganov! Give us back the subtext! Journalist, 1996, no. 4, p. 22 (in Russian).
  17. Kon’kov V. I. Rechevye tekhnologii v massovoj kommunikatsii: Zhanr: uchebnoe posobie [Speech technologies in mass communication: Genre : Textbook]. St. Petersburg, Russian State Hydrometeorological University Publ., 2013. 108 p. (in Russian).
  18. Kormilitsyna M. A., Degaltseva A. V. Modern media text: Author’s methods of expressing “co–creation of those who understand” In: Yazyk – tekst – diskurs: funktsional’no-semanticheskij i strukturnyj aspekty: sb. nauch. st. po materialam mezhdunar. nauch. konf. Otv. red. N. A. Ilyuhina [Ilyukhina N. A., ed. Language–Text– Discourse: Functional, Semantic and Structural Aspects: Coll. of sci. art. on the materials of the intern. sci. conf.]. Samara, SAMARAMA, 2024, pp. 299–305 (in Russian).
  19. Kudryavtseva O. S. Chekhov’s traditions in the satire of the 16th page of the “Literaturnaya Gazeta”. Bulletin of the OSU, 2004, no. 11, pp. 28–33 (in Russian).
  20. Kudryavtseva O. S. Genres and Meta-genre of Satire (based on the material of the 16th page of the “Literaturnaya gazeta”). Thesis Diss. Cand. Sci. (Philol.). Samara, 2005. 24 p. (in Russian).
  21. Kudryavtseva O. S. Graphic unity of the metagenre (on the example of the 16th page of the Literary Gazette). Bulletin of the OSU, 2007, no. 11, pp. 14–19 (in Russian).
  22. Kudryavtseva O. S. Non-traditional satirical newspaper genres. Bulletin of the OSU, 2007, no. 11, pp. 67–71 (in Russian).
  23. Maracheva A. V., Molodtsova A. M. Features of the feuilleton as a genre of satirical journalism. E-Scio, 2022, no. 9 (72), pp. 371–376 (in Russian).
  24. Mokienko V. M., Nikitina T. G. Bol’shoj slovar’ russkikh pogovorok [Mokienko V. M., ed. The Great Dictionary of Russian sayings]. Moscow, CJSC OLMA Media Group, 2007. 784 p. (in Russian).
  25. Raskin V. Semantic Mechanisms of Humor. Proceedings of the Fifth Annual Meeting of the Berkeley Linguistics Society, 1979, pp. 325–335. https://doi.org/10.3765/bls.v5i0.2164
  26. Rosenthal D. E. Yazyk i stil’ sredstv massovoj informacii i propagandy: pechat', radio, televidenie, dokumental’noe kino [Language and style of mass media and propaganda: Print, radio, television, documentary films]. Moscow, Moscow University Press, 1980. 256 p. (in Russian).
  27. Severina E. A. Feuilleton as a means of influencing public opinion. Bulletin of the MGLU. Humanities, 2016, no. 1 (762), pp. 79–92 (in Russian).
  28. Shavladze T., Makharadze M. Modern English Feuilleton. Galaxy: An International Multidisciplinary Research Journal, 2017, vol. 6, iss. II, pp. 29–32.
  29. Shifman L. Humor in the age of digital reproduction: Continuity and change in internet-based comic texts. International Journal of Communication, 2007, vol. 1, pp. 187–209.
  30. Shmeleva T. V. Speech genre model. Zhanry rechi: sb. nauch. st. [Speech Genres: Coll. sci. arts]. Saratov, GosUNTs “Kolledzh”, 1997, iss. 1, pp. 88–99 (in Russian).
  31. Smetanina S. I. Mediatekst v sisteme kul’tury. Dinamicheskie protsessy v yazyke i stile zhurnalistiki kontsa XX veka [Media text in the cultural system. Dynamic processes in the language and style of journalism of the late 20th century]. St. Petersburg, Mikhailov V. A. Publishing House, 2002. 382 p. (in Russian).
  32. Solganik G. Ya. General characteristics of the language of modern media in comparison with the language of the media of the previous period. In: Yazyk massovoj i mezhlichnostnoj kommunikatsii: kollektivnaya monografiya. Redkol. Ya. N. Zasurskij [i dr.]. [Zasursky Ya. N. [et al.], eds. The language of mass and interpersonal communication: Collective monograph]. Moscow, Media World, 2007, pp. 15–40 (in Russian).
  33. Streltsov B. V. Fel’eton. Teoriya i praktika zhanra [Feuilleton. Theory and practice of the genre]. Minsk, Publishing House of BSU, 1983. 63 p. (in Russian).
  34. Telyatnik M. A. L. N. Andreev’s Feuilletons in the “Courier” Newspaper (1900–1903): Genre Specifics, Problematics, Poetics, Style. Thesis Diss. Cand. Sci. (Philol.). St. Petersburg, 2012. 24 p. (in Russian).
  35. Vyrovtseva Е. V. Criticism of modern reality in the feuilletons of the Literary Gazette. In: Materialy Vserossiiskoi nauchno-prakticheskoi konferentsii “Problemy massovoj kommunikatsii” (Voronezh, 10–12 maya 2007 g.). Pod red. V. V. Tulupova [Tulupov V. V., ed. Materials of the All-Russian science and practical conference “Problems of Mass Communication” (Voronezh, May 10–12, 2007)]. Voronezh, Faculty of Journalism of VSU Publ., pp. 17–19 (in Russian).
  36. Yazeva A. S. Artistic communication as co-creation of the author and the reader on the example of the story by Valentin Rasputin “Farewell to Matyora”. Bulletin of the Irkutsk State Linguistic University, 2012, no. 2 (19), pp. 103–110 (in Russian).
  37. Zhurbina E. I. Iskusstvo fel’etona [The art of the feuilleton]. Moscow, Goslitizdat, 1965. 209 p. (in Russian).
Received: 
27.08.2024
Accepted: 
12.10.2024
Published: 
02.03.2026