лирика

The present article continues and develops the topic of the article “A Silent Scene in view of the speech genre theory”. The phenomenon of an inner silent scene (ISC) remarkably enhances the autocommunicative dynamism of inner speech. The basis for an ISC can be seen in critical moments within our verbal and thinking activities – new inner and outer signals causing more or less meaningful reorientation of our attention.

The purpose of the article is to substantiate the thesis about the implicit typological connection of three fiction-writing modes (drama, epic and lyric poetry) with the basic kinds of communicative strategies (informative, phatic and “autocommunicative”). Epic, lyric poetry and drama are viewed as three substantial modes (or vectors) of verbal and non-verbal statements. The concept of “speech genres” covers a subordinate to it concept of “fiction-writing modes”.