International journal
ISSN 2311-0759 (Online)
ISSN 2311-0740 (Print)


повесть

Функции «базовых моделей» в формировании пасторально-сентиментальной жанровой матрицы в прозе Н. М. Карамзина («Деревянная нога», «Евгений и Юлия»)

Рассматривается категория «фамильного сходства» и связанная с ней категория «базовых (базисных) моделей» в аспекте жанрологического анализа на примере двух ранних произведений Н. М. Карамзина: перевода идиллии С. Геснера «Деревянная нога» и первой оригинальной повести «Евгений и Юлия». Теория «базовых моделей» Дж. Лакоффа, созданная исследователем для нужд когнитивной лингвистики, с оговорками и доработками может быть применена к анализу жанровых структур как речевых, так и литературных жанров.

The problem of genre in the early historical cycle of A. F. Pisemsky

The article deals with the problems of cycle specificity Pisemsky ? prose earlu period.  It studies the scantily explored unknown A.F.Pisemsky ? суclе about Russian mentality?? phenomenon. This is historical cycle (1857-1862). This cycle are historical  portrats of generations before and after the reform. It is composed of the four pieces: novelette “Вraggart”, story “The old man? sin”, short storys: “Dad”, “Old lady”. The stories and  novelettes  are two parts. Two parts are contrasts and parallels in  the story, hero demonstrates his action and resultat.

PROBLEMS OF GENRE IN THE A. F. PISEMSKY’S PROSE EARLY PERIOD

The article deals with the problems of Pisemsky’s prose in early period. It is composed of the four genres: novelette, story, short stories, novel. The stories and novelettes are two parts. They represented «Russian Europeans». Superfluous person represented in story. Byronic hero represented in novelette. Novelette are «point» in final, radical changes Position and opinion of hero. It need to start unpicking the poetical hero. A short story are three parts.

ART AND FICTIONAL DEPARTMENT OF THE ZAVETY MAGAZINE (1912–1914): GENRE VARIETY OF PROSE

In this work the attention on a variety of genres of the prosaic works published in one of “thick” magazines of centenary prescription – “eserovsky” orientation “Precepts” is fixed. From the genre party the art and fictional structure of this periodical only beginning to enter in sight of literary critics wasn’t considered yet. Thus, the relevance of the announced subject is obvious.