“Paris Note”

The fragment is the main genre of  contemporary poetry. The article focuses on the functioning of the genre in the poetry of the Paris Note.  The author suggests to distinguish between the four types of fragments, according to the context of interpretation: biblical, historical, literary and autobiographical. The characteristic features of these  types are highlighted here, including basic mechanisms for interpreting. The connection between the poetics of the fragment with the stylistic  principles of the Paris  notes is shown in the  article.