story

The article presents the analysis of the chains of speech genres in A. P. Chekhov’s short story “Enemies”. It is argued that the speech genres which formalize the social relationships of the main characters of the story lead to an understanding of the concept of the work, as well as reveal the essence of the title of the story. It is noted that the verbal interaction of the main characters of the narrative is a system of interconnected speech genres.

The article deals with the problems of cycle specificity Pisemsky ? prose earlu period.  It studies the scantily explored unknown A.F.Pisemsky ? суclе about Russian mentality?? phenomenon. This is historical cycle (1857-1862). This cycle are historical  portrats of generations before and after the reform. It is composed of the four pieces: novelette “Вraggart”, story “The old man? sin”, short storys: “Dad”, “Old lady”. The stories and  novelettes  are two parts. Two parts are contrasts and parallels in  the story, hero demonstrates his action and resultat.

The article deals with the problems of Pisemsky’s prose in early period. It is composed of the four genres: novelette, story, short stories, novel. The stories and novelettes are two parts. They represented «Russian Europeans». Superfluous person represented in story. Byronic hero represented in novelette. Novelette are «point» in final, radical changes Position and opinion of hero. It need to start unpicking the poetical hero. A short story are three parts.

In this work the attention on a variety of genres of the prosaic works published in one of “thick” magazines of centenary prescription – “eserovsky” orientation “Precepts” is fixed. From the genre party the art and fictional structure of this periodical only beginning to enter in sight of literary critics wasn’t considered yet. Thus, the relevance of the announced subject is obvious.