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ART AND FICTIONAL DEPARTMENT OF THE ZAVETY MAGAZINE (1912–1914): GENRE VARIETY OF PROSE |
Novikova N. V. |
№ 3 (19), 2018 |
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PROFESSIONAL-CRITICAL UTTERANCE AS A SPEECH GENRE |
Prozorov V. V. |
№ 3 (19), 2018 |
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THE GENRE OF SELF-PRESENTATION IN THE POETRY OF THE RUSSIAN FUTURISM |
Ivanyushina I. Y. |
№ 3 (19), 2018 |
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A Short Story About a Simple Russian Man in the Works of a Contemporary Writer Vadim Sharapov |
Krylova M. N. |
№ 4 (24), 2019 |
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Evolution of the means of the representation of the past in the lyrical song genre |
Lassan E. |
Issue #1-2(9-10), 2014 |
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Genre base of lingvoimagological analysis |
Ivanova L. P. |
№ 1 (13), 2016 |
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Genres and roles (The genre structure of drama discourse revisited) |
Sakharova O. V. |
№ 2 (12), 2015 |
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INTERPERSONAL COMMUNICATION IN RUSSIAN AND AMERICAN STORIES, SEPARATED BY THE XX CENTURY: WHAT DETERMINES QUANTITATIVE RATIOS OF NARRATION TO COMMUNICATION AND DIRECT TO COMPRESSED SPEECH? |
Mechkovskaya N. B., Merchy A. P. |
№ 2 (16), 2017 |
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Linguocultural specifics of Chinese narrative genres |
Leontovich O. A., Kosinova L. V., Simonenko N. Y. |
№ 2 (14), 2016 |
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On the proof of the concept of 'figurative genre' (for example tsenton) |
Moskvin V. P. |
Issue #1-2(9-10), 2014 |
