International journal

Speech Genres

ISSN 2311-0759 (Online)
ISSN 2311-0740 (Print)


For citation:

Prozorov V. V. PROFESSIONAL-CRITICAL UTTERANCE AS A SPEECH GENRE. Speech Genres, 2018, no. 3(19), pp. 195-202. DOI: 10.18500/2311-0740-2018-3-19-195-202

This is an open access article distributed under the terms of Creative Commons Attribution 4.0 International License (CC-BY 4.0).
Full text:
(downloads: 316)
Language: 
Russian
Heading: 
Article type: 
Article
UDC: 
81’1
EDN: 
XZCKJN

PROFESSIONAL-CRITICAL UTTERANCE AS A SPEECH GENRE

Autors: 
Prozorov Valery Vladimirovich, Saratov State University
Abstract: 

The measures of professionalism of a critic is determined by the ability to assess the object of his observation, based on its internal properties and the vital demands of society. In particular, media criticism is an biased interpretation of the concrete results of the work of the mass media in terms of emerging ideas about the proper quality of journalistic work. According to the rules of the genre, a dramatic script is laid down in a media-critical utterance. As parts of the acting forces there are a critic, criticized media text, the author-journalist behind him, often – other critics participating in the controversy over this media text, and the intended audience (reading public, viewers, web users). The speech genre of media-critical utterance is noted in Russia by an internal paternalistic attitude to a heart-to-heart talk with ”our own”, close users of the media product. In the domestic versions of the observed genre, as a rule, there is a clear or hidden belief in the possibility of an indispensable acquisition of proselytes.

Reference: 
  1. Bakhtin M. M. Problema rechevykh zhanrov [The problem of speech genres]. In: Bakhtin M. M. Estetika slovesnogo tvorchestva [The aesthetics of verbal creation]. Moscow, Iskusstvo Publ., 1979, pp. 237–280 (in Russian).
  2. Bart Rolan. Chto takoye kritika? [What is criticism?]. Bart Rolan. Izbr. raboty [Selected Works]. Moscow, Progress Publ., 1989. 616 p. (in Russian).
  3. Bursov B. I. Kritika kak literatura [Criticism as literature]. Leningrad, Lenizdat Publ., 1976. 320 p. (in Russian).
  4. Chekhov A. P. Polnoe sobranie sochinenii i pisem : v 30 t. Pis’ma : v 12 t. T.1 [Chekhov A. P. Full. Collected Works and Letters : in 30 vols. Letters : in 12 vols. Vol. 1]. Moscow, Nauka Publ., 1974. 242 p. (in Russian).
  5. Dobrolyubov N. A. Russkiye klassiki. Izbr. lit.-kriticheskiye stat’i. <Seriya «Lit. pamyatniki»>. Izd. podgot. Yu. G. Oksman [Russian classics. Selected lit.-critical articles. Ed. preparation. Yu. G. Oksman]. Moscow, Nauka Publ., 1970. 482 p. Series Lit. monuments (in Russian).
  6. Gogol’ N. V. Polnoe sobranie sochinenii : v 14 t. T. 8 [Gogol N. V. Full. Collected Works : in 14 vols. Vol. 8]. Moscow, Leningrad, izd-vo AN SSSR, 1952. 203 p. (in Russian).
  7. Istoriya russkoy literaturnoy kritiki. Pod red. V. V. Prozorova. 2-ye izd [The history of Russian literary criticism. 2nd ed]. Moscow, Akademiya Publ., 2009. 432 p. (in Russian).
  8. Korochenskiy A. P. “Pyataya vlast”’? Mediakritika v teorii i praktike zhurnalistiki [“The Fifth Power”? Media criticism in the theory and practice of journalism]. Rostov-on-Don, Izd-vo Rost. un-ta, 2003. 280 p. (in Russian).
  9. Krupchanov L. M. Istoriya russkoy literaturnoy kritiki XIX veka [The history of Russian literary criticism of the XIX century]. Moscow, Vysshaya shkola, 2010. 383 p. (in Russian).
  10. Mann Yu. Gogol’. Trudy i dni : 1809–1845 [Gogol. Proceedings and days : 1809–1845]. Moscow, Aspekt Press Publ., 2004. 813 p. (in Russian).
  11. Nedzvetskiy V. A. Russkaya literaturnaya kritika XVIII–XIX vekov [Russian literary criticism of the XVIII–XIX centuries]. Moscow, Izd-vo MGU, 1994. 182 p. (in Russian).
  12. Prozorov V. V. Typology of Speech Genres in Terms of Fiction-Writing Modes Theory. Speech Genres, 2017, no. 2 (16), pp. 142–150 (in Russian)
  13. Saltykov-Shchedrin M. Ye. Sobranie sochineniy : v 20 t. T. 9 [Collected Works : 20 vols. Vol. 9]. Moscow, Khudozh. lit. Publ., 1970. 646 p. (in Russian).
  14. Sappak V. Televideniye i my : Chetyre besedy [Television and we : Four conversations]. Moscow, Aspekt Press Publ., 2007. 168 p. (in Russian).
  15. Sedakova O. A. O vdokhnovenii v nashi dni… [About inspiration these days…]. Available at: http://www.sinergia-lib.ru/index.php?id=3244&section_id=2013&view=print (Accesed 05 May 2018) (in Russian).
  16. Shmeleva T. V. Zhanr v sovremennoy mediasfere. [Genre in contemporary media sphere]. Zhanry rechi : sb. nauch. tr. [Speech genres : coll. of sci. works]. Iss. 8. Saratov ; Moscow, Labirint Publ., 2012, pp. 26–37 (in Russian).
  17. Yegorov B. O masterstve literaturnoy kritiki. Zhanry. Kompozitsiya. Stil’ [On the skill of literary criticism. Genres. Composition. Style]. Leningrad, Sov. pisatel’ Publ., 1980. 316 p. (in Russian).
  18. Zel’dovich M. G. V poiskakh zakonomernostey. O literaturnoy kritike i putyakh yeye izucheniya [In search of regularities. On literary criticism and ways of studying it]. Khar’kov, Izd-vo Khar’k gos. un-ta, 2009. 160 p. (in Russian).
  19. Zolotusskiy I. Gogol’ [Gogol]. Moscow, Molodaya gvardiya Publ., 2005. 485 p. (in Russian).
Received: 
13.02.2018
Accepted: 
15.03.2018
Published: 
30.08.2018