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On the proof of the concept of 'figurative genre' (for example tsenton)

The historical origins of cento and its correlation with adjacent phenomenonа are examined. The code of rules of production of cento as a compilative genre is arranged. The conditions of its success are analysed. The question of the relationship of cento to verse and prosaic forms of speech is scrutinized. The instrumental (according to cento production devices), functional (according to the purposes for which given genre is used), quantitative (according to the number of authors and texts used) and intentional typology of centos (according to the motives for which the texts-sources of the cento are used by the compiler) are worked out.

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